experimental
Birthmarked is a comedy struggling with an identity crisis. Maybe that’s the point, or was more nurturing required?
John Waters’ 1974 camp comedy pushed audiences out of their comfort zones, via a raucous celebration of queerness at its most unconventional.
The Seeker is a testament to Cloud Cult’s commitment to exploring new heights in the synergy between music and visual artistry.
About an aspiring actress in Iraq, Dream City weaves together both political and personal prospects to capture an immersive slice of life.
Filmed live, and in one continuous take, Lost in London is a film that could seem gimmicky, yet succeeds due to its expert comedic timing.
“Ashley George: Sometimes, Forever is a twist on my own experience as a sexually confused girl living in a pretty straight, suburban world, so the narrative draws mainly from personal experience.”
Knight of Cups is the first film I’ve ever seen where over a third of the audience left the theatre during the film. Without any context, I understand why this film would drive people to leave the movie. The film is an artistic montage, never stopping to deliver any linear narrative or dialogue scenes, continuing its visual poetry.
Five Minutes is an interactive short horror film set in a future where the world is overrun with zombies. After being infected, dad John knows he only has five minutes before he turns. But he is loathe to leave his daughter, Mia.
Chicagoland Shorts is a new series of films curated by Eugene Sun Park and Kayla Ginsburg (with the aid of Beckie Stocchetti). The series pulls together an eclectic mix of shorts all made by Chicago-based filmmakers. The films range from original narratives to real stories, from animations to found footage pieces (those made using pre-existing film or photographs).
I sat down to watch independent, experimental film How the Sky Will Melt by Matthew Wade the other night with my fiance. Other than bragging about my fiance, I’m including him in the article because he is so very not like me. His favourite movies are comedies, he laughs at fart jokes, and I’m not sure he’s ever seen a David Lynch movie.
Experimental film by its very nature often flies under the radar of the average film viewer and even most movie buffs. However, I’d like to take this opportunity to offer a sort of crash course in experimental film by highlighting five (well, sort of six) experimental filmmakers that deserve at the very least a cursory glance. These are people who changed film-making, completely threw out the rule book, and influenced cinema in very permanent and crucial ways, both with their cameras and their pens.
Escape From Tomorrow is a nightmare in black and white. From the opening moments to the final scene, the story unfolds in the most mind-bending ways. I grew up with very little black and white film.
