horror
The warped claustrophobia of Masking Threshold is wholly original, making it one of the best horror films of the year.
Trick ‘r Treat lives up to its reputation taking the traditions of the holiday and wielding them into a horrific tale of lore, murder, and revenge.
House on Haunted Hill is a classic in its own right, exhibiting the ability for horror to remain timeless.
For a first-time director, Kempff had a very stylistically sharp vision for Knocking which is bogged down by an overly meandering tone.
David Gordon Green’s sequel to Halloween, Halloween Kills, is an aggravating, unnecessary, and horribly misguided feature.
If you haven’t had the chance to see this Burton classic, there isn’t a better time than now to embrace the folklore of Sleepy Hollow.
Never afraid of a little blood, The Retaliators dives head first into the gore, making its violence cringeworthy in all the best ways.
Despite some improvements over the previous film, The Addams Family 2 still feels stuck in the first gear of safe animated adaptations.
In this week’s installment of Horrific Inquiry, we take a look back at George A. Romero’s 1968 masterpiece, Night of the Living Dead.
In the years since its release, Scream has proven itself to be a staple of a genre and an undeniable part of horror cinematic history.
Żuławski channeled his personal heartbreak into primal horror, and the result is a messy, marvelous movie.
And with harvest season upon us, it seemed the perfect time to dive into this critically acclaimed horror classic.
Kristy Strouse gives us her final report from this year’s Toronto International Film Festival with her last four film reviews.
From the ghosts that inhabit the home to the outstanding performance of Matthew Lillard, Thirteen Ghosts is sure to have a little something for all.
Sion Sono’s English-language debut stars Nicholas Cage as a criminal forced to track down the granddaughter of an Old West-meets-Mad Max warlord.