horror
Both The Night Eats the World and Cargo, despite their differing subjects and approaches, manage to bring both meat and brains to the zombie film.
Premiering at this year’s Tribeca Film Festival, Justin P. Lange’s The Dark is an ingenious reinvention of the zombie genre, bringing a new rage monster to the cinematic screen and exhibiting what anger and fear truly is. This is a film you will not soon be forgetting.
We were able to talk with Justin P. Lange and Nadia Alexander about the inspiration for and experiences during the filming of The Dark.
In The Dark, a flesh-eating young girl haunts the woods where she was murdered, as a murderer herself. When she discovers an abused kid inside the trunk of a car, her decision to let the boy live throws her existence into upheaval.
From Forbidden Planet to Frogs, there’s nothing like a good ole sci-fi/horror picture. But among all my beloved flicks, Killer Klowns From Outer Space reigns supreme; it also happens to be this film’s 30th anniversary.
From the 2018 Tribeca Film Festival, Kristy Strouse reviews Alia Shawkat’s new film Duck Butter, the film starring Taika Waititi as a cult leader, Seven Stages To Achieve Eternal Bliss By Passing Through The Gateway Chosen By The Holy Storsh and the Martin Freeman zombie vehicle, Cargo.
Director Adam MacDonald mostly succeeds with Pyewacket being a simple, heartfelt tale focusing on the disintegration of a mother/daughter bond, without too much background noise as a distraction.
Imitation Girl is an interesting character study focusing on women asking the questions: Who am I? and What do I have to show for my life? Lauren Ashley Carter gives strong performances as both Julianna and her imitation in this unique and captivating film about identity.
In the latest of our Take Two series, we tackle Alien: Covenant, the Ridley Scott thriller that tried to balance science fiction with philosophical intrigue.
Andy Nyman and Jeremy Dyson’s adaptation of their hit stage play Ghost Stories is a serviceable British horror – but with so many recent gems in the genre, is being “serviceable” enough to justify its existence?
We were able to talk with Bel Powley about her experiences in acting and about her role in the upcoming werewolf horror film Wildling.
Assuming cinema etiquette is still alive, the loudest sound that can be heard among A Quiet Place’s audience will be their own semi-breathing.
Despite a tendency to overdo it when it comes to the scares themselves, Paco Plaza’s Veronica contains enough focus on character and symbolism to be an effective demonic possession horror.
With sophisticated cinematography and aesthetics, The Strangers: Prey at Night and its moody semblance of survival preserves dread just enough to deserve its place in slasher cinema.