romance
Framed has just the right amount of suspense, drama, and romance to make it work, with a wonderfully written dialogue.
Astonishingly, Feel Good Season 2 gets darker and more uncomfortable without abandoning its humorous reprieves.
Lisey’s Story is a miniseries of magic, both in what it explores universally, but also what it generates internally.
In the latest installment of Queerly Ever After, we take a look at 2013’s Five Dances, a film about two men who find love in a dance studio.
In the film’s approach to try depicting its scandalous central relationship as naturally occurring as possible, Wet Season sacrifices narrative or emotional thrust.
In the latest Queerly Ever After, the focus is on My Big Gay Italian Wedding (2018), a gay rom-com set in the Italian countryside.
While Spring Blossom shows potential, especially in Lindon’s acting and directing, the script here falls flat.
Better Days often feels like an extremely bleak after-school special. But thanks to remarkable performances, it’s worth sticking with to the bitter end.
The Queerly Ever After column celebrates its 50th entry with Christophe Honoré’s 2007 film Love Songs (Les Chansons D’Amour).
As captivating of an examination it is, Monday constantly threatens to lose its audience, its pace and lack of empathy disconnecting.
Dishonored may not be the most entertaining film in the von Sternberg-Dietrich cycle, but it is the most thoughtful and stealthily affecting.
Big Eden could have been a really cute romantic movie, but it gets hampered down and suffers from its own clunkiness.
In his first report from SXSW Film Festival, Soham reviews I’m Fine (Thanks For Asking), Language Lessons and Islands!
A fun, sexy, romantic comedy, Just Friends is a Dutch TV movie about two young men falling in love.
Happily breathes new life into a story we have seen too many times through its unique twists to the classic structure and charming performances.