The most absurd assumption about saying films “transcend genre” is that works of genre are somehow so trivial that they are apolitical.
Spider-Man: Homecoming is a refreshingly comedic and lighthearted superhero film, but it doesn’t quite work as part of a larger universe.
In the second of a series for 2017, we take a run-down through the box office potential of several high-profile summer movies.
Jacqui Griffin remembers the late Adam West – the heroic, wacky and nostalgic actor whose career and look-on-life transcended generations.
By the talented Jeff Nichols, Midnight Special is similar to the comic hero Superman, documenting how he would be depicted in the real world.
Released in cinemas for one night only, Logan Noir is every bit as bloody, brutal and essential as its brightly coloured counterpart.
Guardians of the Galaxy Vol. 2 pales, in some ways, to its predecessor, yet it has just enough charm and heart to make up for its pitfalls.
Sleight offers great commentary about the lack of opportunities for minority communities – yet ironically never lets its hero use his powers.
James Gunn has made a name for himself for his gloriously offensive yet emotionally poignant films; here is a rundown of his filmography.
In this Beginner’s Guide we discuss some of Christopher Nolan’s best work to date, his influences and artful filmmaking skills.
The comic book movie has become the biggest targets for criticism, but some of them still remain artful. We compare six superhero films.
In the first of a series for 2017, we take a run-down through the box office potential of several high-profile summer movies.
Entertaining without being too campy or ironic, Power Rangers gives its target audience what they’re looking for – sentiment and nostalgia.
In the 4th episode of the Film Inquiry Podcast, Jay & Mike talk, or rather lament, the state of the superhero genre, discussing Legion and Logan.
There’s no living with, with a killing. There’s no going back from it. Right or wrong, it’s a brand, a brand that sticks.