With some of his most impressively staged set pieces to date, Hold the Dark proves that Jeremy Saulnier is one of the most assured genre filmmakers working today.
With its dedicated cast, some awe-inspiring cinematography, and a gripping survival story at its center, Alpha is a far better film than one would expect to find.
While Love Always, Mom waves a large price tag in the eyes of its viewers, it is an engrossing film that shows a hope in the depths of darkness while displaying the benefits of sheer determination and will.
With sophisticated cinematography and aesthetics, The Strangers: Prey at Night and its moody semblance of survival preserves dread just enough to deserve its place in slasher cinema.
Quite different from the big budget, blockbuster action films that we associate with sci-fi nowadays, Prospect is a slow-burning, languid study of people who end up at the wrong place at the wrong time, somewhere in outer space.
Although The Penguin Counters showcases a sense of wonderment for its central research expedition, it fails to fully capture the importance of this mission to the Arctic.
Mom and Dad maintains its absurdity, while not completely abandoning its eerie core, sensitively playing off a very personal, instinctual source of parents defending their young – until they become prey.