thriller
First, you’ll laugh at nonsensical crime thriller Hangman – and then, you’ll grow annoyed that this actually got made over better projects.
Despite the wickedly talented cast and the generous dash of futuristic flair, Hotel Artemis disappoints with its rushed storytelling to an overabundance of thinly written characters.
2007’s The Lookout boasts a talented cast, and manages to be fun while maintaining suspense – it’s a hidden gem that’s worth discovering.
Despite its ambition and occasional impressive visual flourish, Monochrome is wrecked by its slow pace, poor writing and dull, unconvincing characters.
In Darkness could have been an exciting thriller with a complex, well-written female protagonist but it instead ends up being a convoluted and messy misfire.
Sometimes a film’s low budget can get in the way of its narrative, cohesiveness, and overall watchability. However, viewers won’t be disappointed with Counterfeiters and its quality.
Many audiences will likely shy away from the graphic depiction of abuse within director Jennifer Fox’s autobiographical film The Tale, but the film’s frankness is often its greatest asset.
Despite its absurd concept lending itself to occasional entertaining satire, The Jurassic Games suffers from poor visuals, bland cinematography, and poorly developed stereotypical characters.
It doesn’t always manages to keep your attention, but when Jacob’s inspired cinematography and the cast’s strong acting appear on screen, Cold November demands your attention and it surely gets it.
There are flashes of genuine artistic ingenuity in A or B, but not enough to cover the frequent amount of glaring plot holes, inconsistent character decisions and general implausibility of the whole scenario.
A brave and ambitious film unafraid of wrestling with some very difficult questions, 7 Days In Entebbe is let down by an oddly-executed finale and dialogue that is clunky and expository a bit too often for comfort.
It may sound like exploitative torture porn, but Revenge introduces director Coralie Fargeat as a filmmaker worth your attention – taking problematic genre tropes and subverting them into a vital, exhilarating feminist film.
With a severe lack of thrills and a shortchanged main character, Breaking In fails in nearly every regard.
Inspired by Alice’s Adventures In Wonderland, Terminal is visually and thematically strong, despite its over-simple script and occasional over-acting – all in all a promising directorial debut for Vaughn Stein.
Truth Or Dare has nothing to offer to horror fans with its bland characters and uninspired concept. The only way you should be seeing this movie is on a dare.