United States
Jumanji: Welcome to the Jungle is a surprising treat, modernizing the original film while also creating a fun, lively action-adventure.
I, Tonya is a refreshingly dark comedy biopic about the famous 1994 Tonya Harding incident, and is laden with incredible performances.
The Pirates of Somalia is a fantastic adaptation of its non-fiction source material, including a commendable performance from Evan Peters.
Roman J. Israel, Esq. may be disappointing after Gilroy’s Nightcrawler, yet it still has a few positives, such as Washington’s performance.
Call Me by Your Name shines for its potency and lyricism, delving with an effortless thrall into the lives of two men who are forever changed.
Mr. Roosevelt is about discovering changes about yourself when confronting your past, poignantly wrought by first-time director Noël Wells.
With verisimilitude, outstanding acting from its central and supporting cast, and sentient multifaceted perspectives, Wonder succeeds.
The Post is less than the sum of its parts; an effectively directed and acted film, but its most dramatic story is left in the margins.
Ekaj captures the reality of LBGTQ youth that find themselves discarded by life. When their…
Despite a chilling concept and a serviceable lead performance, The Faith Community still leaves a lot to be desired.
The skillfully obtuse Infinity Baby withdraws from a usual comic routine and commits to its outrageous nature wholeheartedly.
The Only Living Boy in New York is a competently directed film pulled down by a mediocre script and relying too heavily on melodrama.
Heal is a documentary for everyone, whether one considers themselves an optimist, pessimist, believer in a higher power, atheist, or otherwise.
Princess Cyd is a low-key marvel; a warm-hearted examination of the ways that we relate to one another whilst dealing with our differences.
With a weak and unfocused plot, Todd Haynes’s Wonderstruck feels like a love letter that isn’t quite sure who it’s addressing.