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WAR MACHINE: Uneven, Over The Top War Satire
WAR MACHINE: Uneven, Over The Top War Satire

In part due to overly pushy satirical agenda and an awkward performance from Brad Pitt, War Machine is a failed attempt at a modern war film.

SHIMMER LAKE: A Typical Mystery Made New Through Its Reversal
SHIMMER LAKE: A Typical Mystery Made New Through Its Reversal

Told in reverse order, Shimmer Lake is a fresh take on a murder mystery, and also sports some fine performances from usually comedic actors.

Interview With Matt Schrader On The Making Of SCORE: A FILM MUSIC DOCUMENTARY
SCORE: A FILM MUSIC DOCUMENTARY: An Immersive Glimpse Behind The Curtain

Using archival footage and interviews, Score: A Film Music Documentary is an inspired look at one of the most elusive art forms today.

THE WEDDING INVITATION: Furiously Funny Female Driven Rom-Com
THE WEDDING INVITATION: Furiously Funny Female Driven Rom-Com

Rainy Kerwin’s debut film The Wedding Invitation is a well done romantic comedy with a strong story executed by a strong female cast.

LET ME MAKE YOU A MARTYR: The American South Is Hell On Earth

Though with a fine, understated performance by Marilyn Manson, Let Me Make You a Martyr is too unrelentingly dark and dull to recommend.

LOST IN AMERICA: Optics Of The Low Road
LOST IN AMERICA: Optics Of The Low Road

Albert Brooks’s cult classic Lost in America is not just one of the funniest films of the 1980s, but a subtle examination of perspective, too.

CAMERA OBSCURA: A Snapshot Of War's Lingering Horror
CAMERA OBSCURA: A Snapshot Of War’s Lingering Horror

Camera Obscura is a terrifying glimpse at PTSD, seen through the eyes of a war photographer who comes home and starts to see grisly images.

"Moscow Is A Prison... But We Love It." An Interview With Johnny O'Reilly, Director Of MOSCOW NEVER SLEEPS
“Moscow Is A Prison… But We Love It.” An Interview With Johnny O’Reilly, Director Of MOSCOW NEVER SLEEPS

We had a chance to talk with Johnny O’Reilly, director of the upcoming drama Moscow Never Sleeps, a film that’s very politically relevant.

IT COMES AT NIGHT: An Atmospheric, Disturbing Tale Of Paranoia
IT COMES AT NIGHT: An Atmospheric, Disturbing Tale Of Paranoia

It Comes at Night is a disturbingly effective horror film, delving into themes of paranoia, fear, and distrust in an eerily relevant way.

NIGHT SCHOOL: A Documentary That Succeeds Despite Itself
NIGHT SCHOOL: A Documentary That Succeeds Despite Itself

Andrew Cohn’s documentary Night School tells a largely positive story about American poverty, but depends too much on its captivating subjects.

ON A KNIFE EDGE: An Intimate Insight Into Overwhelming Injustice
ON A KNIFE EDGE: An Intimate Insight Into Overwhelming Injustice

While it doesn’t address the female role, On A Knife Edge is a deep insight into the life of the Native American, that is sure to enlighten.

EVERYTHING, EVERYTHING: Not Exactly Everything, But Almost
EVERYTHING, EVERYTHING: Not Exactly Everything, But Almost

Everything, Everything follows Maddy, who has spent her entire life confined to her home due to an illness, but falls for the boy next door.

CATFIGHT: Both Physically & Verbally Bruising
CATFIGHT: Both Physically & Verbally Bruising

With fine performances and biting humor, Catfight is an interesting satire, delving into power struggles and the human condition.

DIARY OF A WIMPY KID: THE LONG HAUL: The Most Excruciating 90 Minutes Of My Life
DIARY OF A WIMPY KID: THE LONG HAUL: The Most Excruciating 90 Minutes Of My Life

Diary of A Wimpy Kid: The Long Haul fails from a dreadful script that possesses the unique ability to make 90 minutes feel like an eternity.

PAINT IT BLACK: A Brash & Beautiful Meditation On Grief
PAINT IT BLACK: A Brash & Beautiful Meditation On Grief

Paint it Black is an impressive debut from director Amber Tamblyn, with strong performances shining brighter than the visual quirks.