wedding
In the latest Queerly Ever After, the focus is on My Big Gay Italian Wedding (2018), a gay rom-com set in the Italian countryside.
With a a compelling, chemistry-driven narrative, Palms Springs is refreshing take on the time loop genre and one of the year’s best comedies.
Ready or Not heralds the arrival of a fantastic talent in Samara Weaving, as well as directors Matt Bettinelli-Olpin and Tyler Gillett.
After the Wedding wants nothing more than to be a tearjerker, but the emotions run cold and the twists are all for show.
Predictable to a fault, Ready or Not is still engaging, edge-of-your seat entertainment that brings just enough gore coupled with humor.
By presenting a comedy with the formal elements of a slasher, Camp Wedding fails to be interesting or entertaining within either genre.
If Michael J. Gallagher continues to craft sharp, smart films like Funny Story, he may build his own unique place in current American indie cinema.
Top End Wedding is filled with all the romcom tropes and cliches you expect, but Wayne Blair’s film manages to sell this spin on the formula.
With two likable stars playing unlikable characters, some witty repartee that borders on being too wordy, and an overuse of its finer points, Destination Wedding ends up getting lost in execution.
The Wilde Wedding is host to such a large ensemble that no plot or joke lands, and sadly suffocates the talent of all involved.
From Hollywood to Rose is a perfectly unpolished little gem that draws you in without you even realizing it until the end.
Rainy Kerwin’s debut film The Wedding Invitation is a well done romantic comedy with a strong story executed by a strong female cast.
