25 years later, director Penny Marshall’s A League Of Their Own remains that rare thing: a sports movie with female characters to look up to.
What Will People Say is a brutal yet powerful study of the effects of subjugation on a young woman in a highly patriarchal society.
Patti Cake$ is the true sleeper hit of the 2017 summer movie season, and here’s to hoping that it continues to build momentum as it makes its way to home video.
Tomas Trussow is at Toronto International Film Festival for Film Inquiry and reports on Lady Bird, Happy End and I Am Not A Witch, and more!
Sidemen is a lovingly crafted documentary telling the history of 3 underappreciated musicians, and helps keep the spirit of the blues alive.
Cardinals is a tense and subtly effective thriller set in small-town Canada, bolstered by strong performances and complex themes.
BRAD’S STATUS is an upcoming comedy-drama film starring Ben Stiller, Michael Sheen, and Jenna Fischer.
It’s abundantly clear that Year By The Sea is composer Alexander Janko’s directorial debut, as its characters are underdeveloped and predictable plot-lines are lost amidst the beautiful scenery of Cape Cod.
Is This Now is a perplexingly bad movie, rife with awkward tonal shifts, poor camerawork, unbelievable acting, and a very unfitting ending.
Despite a winning performance from Lola Kirke, it looks like Fallen’s destiny is to be assigned to the scrapheap of YA movie history.
Saw II might not be as strong or as fresh as its predecessor, but it has enough about it that works, making it a guilty pleasure watch.
Batman And Harley Quinn’s lack of action and poor voice acting for the character of Harley Quinn make for a disappointing film.
Despite two talented leads, The House suffers from a script that doesn’t utilize their talents, ultimately becoming forgettable as a result.
Though visually enticing, Valerian and the City of a Thousand Planets is bogged down by a bloated script and poorly written characters.
SHOT CALLER: A Terrifyingly Accurate Castigation Of White Supremacy
What Shot Caller lacks for, narratively, it makes up for in its complex character study guised as a prison drama, expertly exposing human nature’s animalism.