With an unapologetic, feminine roar, City Of Joy takes on a wholly ignored genocide, racism, toxic masculinity and bloodthirsty greed, a rallying cry for survivors of violence and product consumers.
And thus, we arrive at the fireworks factory. After a few episodes that were more…
Gustav Möller’s The Guilty is compact but crushing single-room drama successfully secures our emotional and visceral involvement whilst quite boldly moving into some genuinely dark areas.
In our second report from London Film Festival, the Film Inquiry team recounts foreign arthouse films, an experimental effort, and more.
In Aquaman, a man learns that he is the heir to the underwater kingdom of Atlantis, and must step forward to lead his people and be a hero to the world.
While last week’s episode was powerful, “Could It Be…Satan?” came in this week with a whisper, merely setting up for episodes to come.
“Do Right, Vote White!” marks Shameless’s 100th episode and it does so with the style we’ve become accustomed to.
Venom is a film with a myriad of problems, but they’re forgiven because of its affable undercutting of what you expect from superhero films.
We spoke with director Susan Kucera about her upcoming documentary Living in the Future’s Past, a haunting view of human evolution.
I Think We’re Alone Now is a beautiful slow burn drama with a beautifully eerie atmosphere and striking performances from Dinklage and Fanning, ruined by an unruly mess of a third act.
We spoke with narrator and producer Jeff Bridges about the upcoming documentary Living in the Future’s Past, a haunting view of our changing world.
The Kino Lorber re-release of eight shorts and six features by Brazillian New Wave director Joaquim Pedro de Andrade is a true cinematic gift.
Colette touches on a few of today’s most vital conversations: how society treats women and how society treats those who identify with the LGBTQ+ community.
Smallfoot is desperate to entertain its audience with musical numbers, visual gags, and rapid-fire dialogue without paying that same attention to character or stakes.
We spoke with Rory Culkin about his role in The Song of Sway Lake, what drew him to the subject matter, and his, at times, rocky relationship with director Ari Gold.