On numerous conscious and subconscious levels, Jean Vigo’s Zero for Conduct is one of the most honest examinations of humanity and human society yet made in cinematic form. That is Anarchic Cinema.
Disquieting and deeply moving, Sadie takes its story to extreme lengths while still feeling utterly grounded in the emotional reality of its characters.
Avoiding the classic cliches of a grieving teenager, Nick Naveda’s debut Say You Will will pleasantly surprise any movie lover, perfectly capturing the feeling of loss and romantic confusion.
Carefully crafting within the episode through deconstructed time, “Boy Wonder” is the episode American Horror Story: Coven fans have been waiting for, setting up the perfect return for Murder House.
Riverdale’s season 3 premiere episode, while a slow burning start, ended with a bang, announcing to fans that season three may be their most devilish yet.
London Film Festival has finally kicked off, and the Film Inquiry team are getting to…
On the performances alone, Bad Times at the El Royale is worth your time and money, lending itself to justifiable reasons to revisit for multiple viewings.
Black ’47 isn’t a perfect film – the shaky characterisation prevents the emotional undercurrents from truly picking up speed. Regardless, it’s a fantastically captivating historical epic.
Another decent episode of How To Get Away With Murder, “Whose Blood Is That?” continues to build a solid fifth season but it’s yet to match the series’ highs we’ve seen before.
The mild and moderately amusing take precedence over any grander scheme in Monrovia, Indiana, lacking a moment of discovery in the mundanity and never evoking superiority.
On The Basis of Sex tells the story of Ruth Bader Ginsburg, her struggles for equal rights and what she had to overcome in order to become a U.S. Supreme Court Justice.
Followed, with its contrived shaky ghosts and shoddy script, is the millennial’s answer to The Shining and 1408, without the compelling stories.
Director Yorgos Lanthimos’ latest is his first truly empathetic character study, aided by three powerhouse performances from Colman, Weisz and Stone.
We spoke to directors Robert A. Clift and Hillary Demmon about their new documentary, Making Montgomery Clift,about the process behind the documentary and retelling Monty’s story.
In an age where horror options are plentiful this time of year, Hell Fest’s derivative thrills almost feel insultingly disappointing.