The Package suffers from being a little too conventional for its own good – a generic teen rom-com with a dissected dick slapped on top.
In “Falling”, Sharp Objects becomes its strongest self, maintaining the fervent atmosphere, visual detail and world-class performances.
In Bel Canto, a world-renowned opera singer becomes trapped in a hostage situation when she’s invited to perform in South America.
Darren Aronofsky has made a career out of provoking his audience with visceral films of addiction, obsession and the imbalance it brings to a character’s mental state.
It might focus on a man with cancer, but Tucked remains resolutely upbeat in its belief that true happiness can only be found when we are true to ourselves.
Though Brij Mohan Amar Rahe may be funny and entertaining at points, it mostly comes across as unpleasant to watch and unintentionally muddled.
Seeing a successful bodybuilder physically breaking apart toes the line towards Ronnie Coleman: the King being a cautionary tale, but it’s ultimately saved by the view of his private life.
There’s plenty about Juliet, Naked that isn’t ideal, but it is cozy and predominantly feel-good.
Hope Springs Eternal deals with depressing subject matter – but does so with a sweetness that’s touching and entertaining.
A Simple Favor centers around Stephanie (Anna Kendrick), a mommy blogger who seeks to uncover the truth behind her best friend Emily’s (Blake Lively) sudden disappearance from their small town.
Tighter constraints on content mean minor or extreme events examples of life imitating art would not occur, however censorship’s archaic and controlling past revokes one of the most important human rights: freedom of speech. Will this fight ever end?
Pope Francis: A Man of His Word is a solidly crafted portrait of the Pope with the occasional breathtaking moment, but lacking any new information.
Less a documentary, more an arthouse examination of a tennis great, Julien Faraut’s John McEnroe: In The Realm Of Perfection is a true original.
Mad To Be Normal should have been a film vibrating with R.D. Laing’s unique energy, but ends up being unfortunately unengaging.
In the sea of stellar coming-of-age films that have recently been released, The Swan’s beautiful blend of human drama and magical realism is still unique enough to stand out.