They Remain lives in the shadows of many similar films that came before it, but it’s not quite as captivating as any of those due to gimmicky cinematography and a story without much momentum.
In Gus Edgar’s final rundown of the films of the Berlinale, he reviews Die Tomorrow, Ága, Human, Space, Time and Human, In The Aisles and more.
Chen Sicheng’s Detective Chinatown 2 is a manic pop-fuelled explosion of fast-paced crime-solving, fringe supernatural developments and a brash indulgence in outdated stereotypes.
A classic horror film of Haitian voodoo and zombies, The Serpent and the Rainbow continues to scare and delight viewers with its historical relevance and impressive details.
Despite a premise which would beckon horror fans and cinephiles alike, Death House doesn’t deliver. Its many references and horror icons don’t contribute much to a story that is far too caught up in itself to be any fun.
Annihilation is best viewed as a trip deep into an otherworldly house of horrors, offering a deliberately illogical twist on the formula of horror movie storytelling.
We summarise the evening of the 90th Academy Awards and go over the winners and losers and the highlights of the evening!
How much longer will Cruise continue to put himself through the torture of making these films? And do we even want him to? This is the trailer for Mission: Impossible – Fallout.
Jay is joined by an exciting first-time guest, Film Inquiry regular, Alex Lines. The two…
We delve into the works of Carl Theodor Dreyer, the Danish director that is behind some of the greatest masterpieces in cinema, among them Vampyr, Gertrud and The Passion of Joan of Arc.
Aimed squarely at Christian audiences looking for inspirational family entertainment, Samson is a preachy and plodding drama that’s light on excitement, action or any real sense of spirituality.
Game Night is a visually memorable comedy, standing out by masterfully blending the absurdity of its comedy and the realistic problems of its central characters.
With the upcoming likelihood of an Oscar for Darkest Hour, we look back at Gary Oldman’s over three decade long memorable career.
In this report from the Berlinale in Berlin, Germany, Gus Edgar reviews Golden Bear winner Touch Me Not, Chinese film An Elephant Sitting Still, Soderbergh’s Unsane and more.
Predictable and boring, Leatherface fails to give viewers and fans of the franchise a gripping, riveting, startling movie on how a serial killer family is born.