Salamis Aysegul Sentug examines a trilogy of movies that not only embrace the art of night but also celebrate it as a field of creative space where artists and writers venture out.
Despite an admittedly heartwarming message about not putting a price tag on ways to make others happy, there is very little to take away from Almost Paris. You’ve seen this one before, albeit better.
7 Days In Entebbe is inspired by the true events of the 1976 hijacking of an Air France flight en route from Tel Aviv to Paris, and the most daring rescue mission ever attempted.
Molly’s Game is a prime showcase for one of Hollywood’s most versatile actresses, but the film as a whole doesn’t live up to Chastain’s fiery performance.
Upon first viewing, Phantom Thread is utterly irresistible, but the dense themes and examinations of inter-character relationships means that it is the rare Anderson effort that will only be upgraded to masterpiece status once it has fully been processed after multiple viewings.
Shawn Glinis provides his personal retrospective of James L. Brooks’ classic comedy Broadcast News on its 30th anniversary, showing us how the film’s understanding of the world colors his own.
The Insidious franchise has quietly grown to be one of the most impressive and contemporary horror- and Insidious: The Last Key is another solid entry, despite the January release date.