Although visually pleasing, Tulip Fever’s chaotic script never fully commits, and by the end we are wondering what went wrong.
Equal parts funny and realistic, Different Flowers is a wonderful love letter to the Midwest, and the strength of familial love.
By the Time it Gets Dark is a cinematic classic that will beg to be watched, decided and marvelled at, time and time again.
A cold and familiar murder mystery is coming your way as Kenneth Branagh takes a stab at Agatha…
With Blade Runner 2049 opening in cinemas this Friday, we ruminate on the themes of existentialism the trailer and short film have promised.
Brimstone had potential, but it is bogged down by its length and a desire to show an excessive amount of gratuitous violence against women.
Stephanie Archer discusses three foreign films from this year’s NYFF that examine realities shattered and the consequences that follow.
In Between is a compelling study of Arab women in today’s Tel Aviv that’s delightful and eye-opening in equal measure.
I Was a Dreamer is a mostly successful biographical film about a man seeking redemption, unique for having its lead character play himself.
Mudbound follows two men who return home from World War II to work on a farm in rural Mississippi in this new film from Dee Rees.
Premiering back in 1984, Buckaroo Banzai has long been a prized cult classic, though perhaps one that is lesser-known in the wider world.
Literally, Right Before Aaron is a hugely entertaining romantic comedy which doesn’t shy away from the awkward realities of real life.
Alex Arabian spoke with Tom Hughes about new film REALIVE, his excitement about the film, and his desire to keep finding challenging roles.
Abundant Acreage Available is a simple package of meditation about life and death you will be thinking about long after the film has ended.
In his fifth report from Toronto International Film Festival, Tomas Trussow shares his thoughts about Breathe, Darkest Hour, Caniba and more.