Marjorie Prime is a subtly effective and wondrous glance at the potential ramifications of the future of artificial intelligence technology.
From Hollywood to Rose is a perfectly unpolished little gem that draws you in without you even realizing it until the end.
John Waters’ 1974 camp comedy pushed audiences out of their comfort zones, via a raucous celebration of queerness at its most unconventional.
We’re addressing what other people are saying about Okja – in particular, its most common criticisms, and why they’re wrong.
Disney has become a risk-averse production company, heavily reliant on sequels and remakes that have…
Passengers, upon release, was panned as a misogynistic fantasy; but here’s why it might actually be more progressive than that initial take.
Sure, it’s a terrible film, yet Silent Night, Deadly Night 2 has elements to make it an entertaining cult classic in the making.
Any advocate for the sustainable farming industry will enjoy director Laura Dunn’s documentary Look & See: A Portrait of Wendell Berry.
Dylan Walker attended Edinburgh International Film Festival; he reviews Attraction, Double Date, The Dark Mile and The Last Photograph.
Hampstead offers nothing new in its tired-out genre, serving up uninspired writing and bland direction against a British backdrop.
Gone is the heyday of the classic 90’s romantic comedy, but why is it that so many contemporary romantic comedies fail?
Birthright: A War Story is a powerful study of the limits on a woman’s reproductive health, ranging from abortion to lesser-discussed issues.
The best thing about Footnotes is that it’s just 78 minutes. But there are so many other, better ways you could spend your time.
Paddington 2 is selling a warmhearted, patient brand of entertainment that families aren’t getting anywhere else, and that will likely make it another smashing success.
Al Pacino is responsible for some of the best screen performances of all time. Here, we take a look at some of the most iconic.