Martin Scorsese’s career so far spans five decades – which films of his should you start exploring first? This is an in-depth guide to his amazing work!
Thirty years on, Alan Clarke’s fitfully funny film, Rita, Sue and Bob Too, still holds up as a first-rate character study and resonant critique of the Thatcher era.
Despite some reservations, the short films featured in Chicagoland Shorts Vol. 3 are creative, thought-provoking and accomplished.
In the next of our Take Two series, we tackle Cameron Crowe’s Vanilla Sky, which may not be quite as remarkable as initially remembered.
Overloaded with action and lacking in strong character moments, Dead Men Tell No Tales is an unworthy addition to the Pirates franchise.
Joan Crawford & Bette Davis’ feud is one of classic Hollywood legend; we look at What Ever Happened To Baby Jane and how they became rivals.
Everything the Light Touches is an introspective look at a Welsh Elvis impersonator, and also manages to be something even more profound.
The Wall has a kick-ass ending worth shouting about- it’s just a shame the journey there is significantly less interesting.
Wakefield is an introspective and interesting examination into a man who willingly decides to isolate himself from his family and the world.
It’s romance, intrigue, and death in the trailer for My Cousin Rachel, or in other words, all the good stuff.
Chuck is the story of boxing legend Chuck Wepner, yet never quite manages to match the outsized metaphoric grandeur of the film it inspired.
Michelle Sabato, an Italian American herself, takes a closer look at The Godfather, and what “family” means to Italian Americans.
People is a profoundly packed indie, with the intricacies of the human condition and relationships manifesting into a well-realized film.
Hope Dickson Leach’s debut The Levelling is a familiar story of grief, told with an emotional incisiveness by brand new talent, and reminds us the British film industry is alive and well.
Afterimage is the swan song of legendary director Andrzej Wajda, depicting the artist Władysław Strzemiński during Stalinist-era Poland.