“Please Baby Please,” a MUBI release, is as campy as it is difficult, though Andrea Riseborough leans into the movie’s energy.
Melodramas may look and sound different than their gory counterparts but are often more frightening.
In the fourth and final season of the Apple TV+ series “Servant,” the story concludes with a satisfying, gripping, and fitting finish.
Still reeling from the loss of Gamora, Peter Quill rallies his team to defend the universe and one of their own – a mission that could mean the end.
The Worst Ones asks some very complex and compelling questions about the ethics of filmmaking and the emotions of young actors.
While visiting family in Mexico, teenage Alex gains an unlikely companion when he discovers a young chupacabra hiding in his grandpa’s shed.
Film Inquiry spoke with writer/director Tomás Gómez Bustillo for Chronicles of a Wandering Saint!
With Shazam!: Fury of the Gods hitting theaters, Jesse and fellow film critic Gabe Lampalombella discuss the current state of comic book movies.
In her final report from the 2023 SXSW Film Festival, Kristy Strouse reviews Furies, Fry Bread Face and Me and Late Night with the Devil!
Whilst some of Winners references and statements might not be evident to those unfamiliar with Iranian cinema, it has themes that are universal to all.
In a city where fire, water, land, and air residents live together, a fiery young woman and a go-with-the-flow guy discover how much they have in common.
Pay or Die chronicles the battle to improve insulin costs and the healthcare system, capturing the grief of those lost but also showing hope and resilience.
SXSW 2023 delivers three short films directed by women that examine female, Gen Z/millennial characters struggling to be seen and understood.
There have been a lot of good shows, don’t get me wrong, but nothing can compare to the level of excellence The Last of Us provided.
The Magician’s Elephant is heartwarming and pure, and while predictable to a fault, it is a film the whole family will enjoy.