The perfect sequel to a requel, Scream VI is love letter to horror, to a franchise and to its fans, proving that not all stories are dead.
Leprechaun 3 is not a film that will be at the top of your watch list this season, yet it speaks to the continuing campy nature of the Leprechaun franchise.
Critiques aside, Shadow and Bone’s second season is not without its successes, and by season’s end, you will find you can’t wait to return.
At a solid 93 minutes, director Oliver Park’s The Offering is a quick and creepy watch.
A dreamlike evocation of love and longing on the banks of the titular river running through Shanghai, Lou Ye’s Suzhou River is a landmark film.
Peak Season is no reinvention of the wheel here, but there are things to recommend.
In this report, I talk about three documentaries. While they differ in subject matter, they each resemble some stage of a quest for a dream.
Join or Die proves itself vital and relevant, a necessary documentary that promises the conversation will continue long after the credits have rolled.
With the cast all giving fun performances and the visual effect creativity dialed up to eleven, you can’t help but cheer and clap.
Film Inquiry spoke with stars Eric Bana and Mia Wasikowska for their newest film Blueback!
A delivery driver desperate for cash accepts a Craigslist ad from a couple seeking someone to date their painfully awkward teenage son.
In my second report from this year’s SXSW, I dive into three more very unique titles including science fiction, teenage drama, and horror.
Orchestrator of Storms: The Fantastique World of Jean Rollin is a loving tribute that is a must-watch for fans of horror or Euro cult films.
The Middle Man was a happy surprise that is fun and heartfelt, tragic and funny.
If you can remove expectations, Children of the Corn may be an enjoyable watch. But, the source material deserved better.