2018
Despite its name, Future World, with its interesting premise and a high-caliber cast, is meant to become a film that’s a part of the past.
With her delicate approach, inspired Western-influenced imagery, and hard-hitting subversive themes, The Rider is a clear indication of Chloe Zao’s talents as a director.
Sometimes a film’s low budget can get in the way of its narrative, cohesiveness, and overall watchability. However, viewers won’t be disappointed with Counterfeiters and its quality.
American Animals’ artistic merits are not enough to make the men at the center of the story worth caring about for its duration.
Inka Achté’s documentary BOYS WHO LIKE GIRLS chronicles the efforts of an organization in India to educate boys and men on pressing gender-based issues.
It isn’t the glossiest documentary, and there isn’t a significant style or a comfortable flow, but what Evil Genius lacks in pizzazz in makes up for in persistence and unearthing.
With a divide between masterful filmmaking and a hard to buy love story, audiences will find Adrift enjoyable, but with a disposable romance.
Uniting four legends of the screen for a shot of summer silver screen cinema, Book Club is every bit as formulaic, disposable and harmless as you would expect.
Too heavy in its fan service at times, Solo: A Star Wars Story is not a terrible Star Wars entry, with enough fun moments to please.
Many audiences will likely shy away from the graphic depiction of abuse within director Jennifer Fox’s autobiographical film The Tale, but the film’s frankness is often its greatest asset.
Just like his earlier short, Hereditary feels like nothing more than a provocation, updating the parental anxieties of Rosemary’s Baby for the modern era — and adding no substantial allegory that makes it feel any deeper than this.
While cathartic in the emotional expression of the finality of death, Irreplaceable You fails to be memorable, forgotten long after the credits have rolled.
In a world full of soulless remakes, Luca Guadagnino’s Suspiria is one that has the potential to be fresh, exciting and unique.
A Kid Like Jake succeeds on behalf of Howard’s confident direction, Pearle’s sharp-witted and empathetic script, and two outstanding performances from Danes and Parsons.
Despite its absurd concept lending itself to occasional entertaining satire, The Jurassic Games suffers from poor visuals, bland cinematography, and poorly developed stereotypical characters.