With average performances, a weak script, and a lack of sentiment regarding the treatment of Native Americans, Hostiles isn’t going to make audiences want westerns to come back anytime soon.
If you are looking for the best film of the saga, Star Wars: The Last Jedi is not the film you are looking for.
There’s a sense of shallowness to Ferdinand, a film so generic and formulaic that it’s hard not to be cynical about its construction.
Jumanji: Welcome to the Jungle is a surprising treat, modernizing the original film while also creating a fun, lively action-adventure.
Justice League has its flaws, but is outweighed by its superb direction, decent dialogue and the bonding of its heroes throughout.
The Mountain Between Us, a tale of two strangers (and a charming dog) who find…
In Andrew Haigh’s Lean On Pete, a young boy bonds with a horse headed to a slaughterhouse, and is a great cinematic experience.
Premiering back in 1984, Buckaroo Banzai has long been a prized cult classic, though perhaps one that is lesser-known in the wider world.
Despite a winning performance from Lola Kirke, it looks like Fallen’s destiny is to be assigned to the scrapheap of YA movie history.
Though visually enticing, Valerian and the City of a Thousand Planets is bogged down by a bloated script and poorly written characters.
With its timely statement about diversity in America, the bland and boring Bushwick fails to meet expectations.
Plotless, joyless and cash-grabbing, The Emoji Movie deserves the brunt of our wrath because it showcases everything wrong with Hollywood.
Pilgrimage is rife with metaphors connecting the Dark Ages with contemporary issues, making us wonder if we’ve advanced as much as we think.
When Pilgrimage learns what kind of film it’s trying to be, it’ll give you everything you’ve wanted from it – and maybe more.
Plastic Paradise shines a spotlight on the problems that our society has created and its impact on the world in which we live.