War for the Planet of the Apes is a must-see, visually stunning achievement and a satisfying addition to the series.
Transformers: The Last Knight is a surprisingly engaging film for the franchise, bringing the series in an interesting direction storywise.
From Hollywood to Rose is a perfectly unpolished little gem that draws you in without you even realizing it until the end.
We’re addressing what other people are saying about Okja – in particular, its most common criticisms, and why they’re wrong.
Basically, Despicable Me 3 is a lackluster reworking of what worked in the previous films, with more jokes and less heart.
Spider-Man: Homecoming is a refreshingly comedic and lighthearted superhero film, but it doesn’t quite work as part of a larger universe.
In the second of a series for 2017, we take a run-down through the box office potential of several high-profile summer movies.
The Mummy, while primed to be an intelligent blockbuster, lacks a cohesive storyline, solid characters and originality.
Jenkins, Gadot and company all worked admirably to bring the first Wonder Woman film out in a grand, exciting way, and that work has not gone to waste.
Overloaded with action and lacking in strong character moments, Dead Men Tell No Tales is an unworthy addition to the Pirates franchise.
Guy Ritchie has joyously updated King Arthur with the same distinctive style as his Sherlock Holmes movies. Purists may want to look away.
Sleight offers great commentary about the lack of opportunities for minority communities – yet ironically never lets its hero use his powers.
Losing Sight of Shore is an inspiring and empowering documentary about four women who crossed the Pacific Ocean in a rowboat.
The Lost City of Z is a work about a British explorer that triumphs in visual splendor, forming an identity as a meditative outlook on life.
Otto Bell’s documentary The Eagle Huntress is empowering – even if it does frequently feel staged or exaggerated for dramatic effect.