Canada
The documentary The Apology tells the story of three Asian women whose lives have been turned upside down by the trauma of sexual slavery.
Cardinals is a tense and subtly effective thriller set in small-town Canada, bolstered by strong performances and complex themes.
The Passion of Augustine offers glimpses into life before womanhood sets in and all the growing pains that come with this journey.
The Void can’t make its ideas fully blossom. Regardless, it always feels good to see filmmakers succeed in creating the work they wanted.
War for the Planet of the Apes is a must-see, visually stunning achievement and a satisfying addition to the series.
The Sabbatical isn’t your typical midlife crisis film – it is highly unpredictable in the best sense of the word.
I Am Heath Ledger is a deeply intimate look at the late actor, but fails to ask important questions about the man behind the mask.
Maudie works due to the central performance by Sally Hawkins, though the troubled relationship portrayed is occasionally too downtrodden.
Streamer is a tense, intimate and at times stunning feature that ultimately derails in its very final moments.
Two great performances are wasted in Rupture, a mess of a horror movie which sets up mysteries it doesn’t even know how to answer.
A true millennial romance, Scott Pilgrim Vs The World is a great action comedy with an insightful look at teen culture.
In this beginner’s guide, we explore Canadian director Denis Villeneuve’s journey from psychological indies to mainstream blockbusters.
For a story we’ve seen over and over, Mean Dreams, Bill Paxton’s last film, is compelling, refusing to take the usual narrative routes.
Admirably performed, It’s Only the End of The World suffers from underwritten characters and a refusal to bring his trademark widescreen scope
Holiday Horrors provide a comforting alternative to the forced gaiety of the season – and Black Christmas is one of the best to watch.