science fiction
In this series, we will be examining various films in the seminal genre of time travel. To start, we look at George Pal’s The Time Machine, the most famous adaptation of H.G. Wells’ novel.
Though only really breaking out as a star with 2013’s Inside Llewyn Davis, Oscar Isaac has quickly made a name for himself, starring in prominent sci-fi franchises, award-worthy dramas, and lesser-known indies.
A sequel to an earlier short, Don Hertzfeldt’s World of Tomorrow 2 has just as much ambition as its predecessor, with astounding animation, voice acting, and an overall worldview of existential pessimism.
Despite some wonderfully imaginative special effects, Downsizing falls short due to its unfocused nature, an underdeveloped love story, and some feeble attempts at social satire.
If you are looking for the best film of the saga, Star Wars: The Last Jedi is not the film you are looking for.
Future ’38 is a memorable adventure which perfectly reflects our time, as well as reminisces about the films and sensibilities of the past.
Paul Verhoeven is a distinguished director in the cinematic world of the past few decades; here is a rundown of his career.
In the latest of our Take Two series, we reexamine Batman & Robin, the sequel we watched so you don’t have to.
Blade Runner 2049 may be acclaimed by critics and cinephiles alike, but why did the general audience fail to love it as much?
Now streaming on Sundance Now is Rainer Werner Fassbinder’s final film, Kamikaze 1989. While mostly nonsensical, it’s a joy to watch.
Flatliners is a terrible remake of an already bad movie, whose basis is genuinely interesting but the vision poorly conceived.
At NYFF, the series calls Genre Stories contains a plethora of short films, from sci-fis to horror, and made from a diversity of backgrounds.
Blade Runner 2049 is a blockbuster with brains, heart and an abundance of style, that will certainly reward repeat viewings.
With Blade Runner 2049 opening in cinemas this Friday, we ruminate on the themes of existentialism the trailer and short film have promised.
Alex Arabian spoke with Tom Hughes about new film REALIVE, his excitement about the film, and his desire to keep finding challenging roles.