thriller
Good Time is a fast-paced, oscillation of raw emotion and manic suspense that plays directly to Pattinson’s continually emerging thespian strengths.
With effective sound design and plenty of earned scares, Annabelle: Creation is another successful entry in the continuing Conjuring saga.
Another entry in the continuing trend of independent horror, Cut Shoot Kill just manages to stand out amongst the masses.
When Pilgrimage learns what kind of film it’s trying to be, it’ll give you everything you’ve wanted from it – and maybe more.
Though with the talented Halle Berry at the helm, Kidnap is a poorly made action thriller that is lacking in story, acting, and execution.
Atomic Blonde may be sloppy in structure, but it is oozing with immaculately executed action and a finely tuned performance by Theron.
Wish Upon takes a brilliantly fantastical concept and squanders its potential, relying on cliched characters and lifeless jump scares.
Fire Walk With Me is a bolder, darker look at the Twin Peaks universe, but it is essential in understanding the show’s larger themes.
Sure, it’s a terrible film, yet Silent Night, Deadly Night 2 has elements to make it an entertaining cult classic in the making.
In this installment of Take Two, Robb Sheppard reconsiders David Lynch’s Mulholland Drive after a less-than-satisfying first viewing.
With poorly constructed flaws, Churchill isn’t an overly powerful reinvention of the traditional biopic film.
47 Meters Down is a total shark sandwich of a film, that will leave every audience member wishing they were watching Jaws instead.
Moka is a French slow burning drama that occasionally conjures some suspense, which makes it fascinating in its own way.
The Book of Henry is strange from its outset, and its lack of redeeming characters or strong emotional moments doesn’t much help matters.
Handsome has occasional moments of promise, yet it is bogged down by its shoddy story, underused characters, and failed attempts at humor.