thriller
Wish Upon takes a brilliantly fantastical concept and squanders its potential, relying on cliched characters and lifeless jump scares.
Fire Walk With Me is a bolder, darker look at the Twin Peaks universe, but it is essential in understanding the show’s larger themes.
Sure, it’s a terrible film, yet Silent Night, Deadly Night 2 has elements to make it an entertaining cult classic in the making.
In this installment of Take Two, Robb Sheppard reconsiders David Lynch’s Mulholland Drive after a less-than-satisfying first viewing.
With poorly constructed flaws, Churchill isn’t an overly powerful reinvention of the traditional biopic film.
47 Meters Down is a total shark sandwich of a film, that will leave every audience member wishing they were watching Jaws instead.
Moka is a French slow burning drama that occasionally conjures some suspense, which makes it fascinating in its own way.
The Book of Henry is strange from its outset, and its lack of redeeming characters or strong emotional moments doesn’t much help matters.
Handsome has occasional moments of promise, yet it is bogged down by its shoddy story, underused characters, and failed attempts at humor.
Elliott Lester had juicy, absorbing material to work with. Unfortunately, he turns Aftermath into an underwhelming and empty endeavor.
Told in reverse order, Shimmer Lake is a fresh take on a murder mystery, and also sports some fine performances from usually comedic actors.
Camera Obscura is a terrifying glimpse at PTSD, seen through the eyes of a war photographer who comes home and starts to see grisly images.
Alien: Covenant takes a valiant attempt at re-creating the magic from the original, but ultimately falters from screenplay to screen.
In the next of our Take Two series, we tackle Cameron Crowe’s Vanilla Sky, which may not be quite as remarkable as initially remembered.
The Wall has a kick-ass ending worth shouting about- it’s just a shame the journey there is significantly less interesting.