United States
The Aubrey Plaza starring comedy The Little Hours has caused controversy in the catholic community – but is it detrimental to the religion?
The Persian Connection is a bold, tense, and thrilling film, even if its thematic reach just exceeds its grasp.
Wish Upon takes a brilliantly fantastical concept and squanders its potential, relying on cliched characters and lifeless jump scares.
Girls Trip is a gut-bustingly funny gem that is not only good for a girl’s night out, but it has a little something for everyone.
Something Like Summer is an odd yet mostly satisfying mix of good and bad, with wasted moments but also bright themes that shine through.
The unoriginal, uninspired premise of stoner comedy Ripped is partially saved by the dedication of the two lead actors.
Brigsby Bear isn’t only for the dreamers, it’s for anyone who ever stalled at pursuing a something dear to them for fear of failing.
Pariah is essential in the African American LGBTQ artistic and cinematic canon, as well as an achievement in cinematic storytelling.
Marjorie Prime is a subtly effective and wondrous glance at the potential ramifications of the future of artificial intelligence technology.
From Hollywood to Rose is a perfectly unpolished little gem that draws you in without you even realizing it until the end.
John Waters’ 1974 camp comedy pushed audiences out of their comfort zones, via a raucous celebration of queerness at its most unconventional.
We’re addressing what other people are saying about Okja – in particular, its most common criticisms, and why they’re wrong.
Sure, it’s a terrible film, yet Silent Night, Deadly Night 2 has elements to make it an entertaining cult classic in the making.
Any advocate for the sustainable farming industry will enjoy director Laura Dunn’s documentary Look & See: A Portrait of Wendell Berry.
Birthright: A War Story is a powerful study of the limits on a woman’s reproductive health, ranging from abortion to lesser-discussed issues.