For Dinner With Dames #16, Cinefemme gathered a group of women filmmakers to dine with the night’s mentor, Peter Van Steemburg, Vice President of Acquisitions and Production at Universal Pictures
With a failure to properly establish the story, is a black comedy that is consistently frustrating and close to devoid of any laughs.
Han Yan’s Animal World is a truly insane but consistently entertaining mishmash of rock paper scissors, bug-eyed aliens, clown assassins and a check-cashing Michael Douglas.
Despite its empowering story, and fine performances by Michael Greyeyes and Jessica Chastain, Woman Walks Ahead is an unfortunately forgettable endeavor.
Mary Stuart’s attempt to overthrow her cousin Elizabeth I, Queen of England, finds her condemned to years of imprisonment before facing execution.
Willow Polson, creator of Vintage America with Ginger, talks to FI’s Jacqui Blue about her creative process and upcoming projects.
In a genre dripping with teenage iconoclasm and headbanging angst, Adventures in Public School makes at the very least for comforting viewing and offers a sweet view of respect, family and independence.
Distorted leaves viewers with a disjointed, unoriginal story, a made-for-tv feel, and underwhelming thrills, with the only saving graces being the presence of Ricci and Cusack.
With Thunder Road, viewers witness the birth of a comic actor who could very well grow into one of the finest of this generation.
In The Favourite, a frail Queen Anne occupies the throne and her close friend Lady Sarah governs the country in her stead. When a new servant Abigail arrives, her charm endears her to Sarah.
In this guide, we introduce you to the world of Marvel across four distinctive yet interconnected TV series on Netflix. It’s a journey worth taking.
Another Wolfcop is a worthy horror comedy, with a memorable team of characters at its center.
Sorry to Bother You is the perfect film for this particular moment – a moment that feels defined by the struggles of the ordinary people against traditional structures of power – even if it isn’t a perfect film.
The Lighthouse is one of the best locked-room dramas that Britain has ever produced, and it works as an impressive showcase of the talents behind it.
We were able to talk to Matthew Ross, writer and director of the upcoming crime thriller Siberia about his brief but prolific filmmaking career, working with Keanu Reeves, and more.