Tom Hardy returns to the superhero genre with Venom, exploring the strange psychology of a symbiote and all the fun enhancements that come with it.
In this Tribeca Film Festival Round-up, Stephanie Archer looks at the films she saw that found that dominated their central focus and inspiration in oppression, fear and freedom.
Stephanie Archer explores the live action short films that played at Tribeca Film Festival!
Kristy Strouse explored some of the VR experiences on offer at Tribeca Film Festival; here are her reviews of: Campfire Creepers: Midnight March, The Dinner Party, Biidaaban and Into the Now.
In this all new Staff Inquiry, the Film Inquiry writers discuss their favorite coming-of-age films!
Believe the hype. Avengers: Infinity War begins to close the portal to Marvel Studios’ three phases in an extravagant fashion, serving as a prime example that story and spectacle can coexist in a summer blockbuster.
Mary and the Witch’s Flower feels truly timeless, an animated classic in waiting that will delight audiences both young and old. Hiromasa Yonebayashi has captured the very essence of Studio Ghibli for this first Studio Ponoc effort.
In the 20th episode of the Film Inquiry Podcast, we delve into the works of the great Stanley Kubrick.
Straight from Tribeca Film Festival, Lee Jutton two films; both are the feature directorial debuts of talented women filmmakers and both center on complicated women trying to come to terms with tragedies in their pasts.
Zac Hestand explores how Dee Rees’ Mudbound excels as a contemporary successor to the classic work of William Faulkner.
Whether basking in the glory of its noir-style lighting, or admiring its Ennio Morricone-influenced score, or even if just a fan of the hodgepodge of films referenced in some way, there’s at least something in Pickings for people to enjoy.
Film Inquiry reporter Kristy Strouse got to sit down and talk with Asa Butterfield and his latest project, The House Of Tomorrow – they spoke about learning to play the guitar for the role, his upcoming projects, and more!
With undefined characters and a hesitation to commit to the violent realism of the story, Spanish historical epic Gold (Oro) proves to be something of a tedious slog.
After escaping an attack by what he claims was a 70-foot shark, Jonas Taylor must confront his fears to save those trapped in a sunken submersible.
After its premiere at the Queens Short Film Festival, Film Inquiry’s Samantha Celentano got to speak to the writer and lead actor of Oatmeal, Martha Frances Williams, as well as the director Alessia Gatti.