Kristy Strouse reviews her final batch of films from Tribeca Film Festival, including Zoe, In a Relationship, and Woman Walks Ahead.
Stephanie Archer reports on her time during Tribeca Film Festival 2018, and on her final day, recaps the Tribeca Retrospective Schindler’s List.
Gus Edgar reports from Cannes Film Festival and shares some of his first two days in the French Riviera. He reviews Kenyan LGBT film Rafiki, Paul Dano’s directorial debut Wildlife, Colombian film Birds of Passage, and more.
Hagar Ben-Asher’s Dead Women Walking creates the opportunity for conversation and examination while humanizing those individuals that society has locked away without a further care or thought of.
In TAG, a small group of former classmates (Jeremy Renner, Leslie Bibb) organize an elaborate, annual game of tag that requires some to travel all over the country.
Kristy Strouse reviews the inspirational documentary Bethany Hamilton: Unstoppable that premiered at the Tribeca Film Festival and shares her interview with director Aaron Lieber and producers Penny Edmiston and Jane Kelly Kosek.
Truth Or Dare has nothing to offer to horror fans with its bland characters and uninspired concept. The only way you should be seeing this movie is on a dare.
The Seagull is a gorgeous adaptation of one of the world’s most beloved plays. The characters are not always likable, but what the film has to say about love, art, fame, and other human desires remain powerful even in the age of Internet celebrity.
Asghar Farhadi’s Everbody Knows is a melodrama that takes itself too seriously – one that pulls in each and every direction to try and find some thematic footing, and ends up not saying too much about anything.
In PUZZLE, Agnes (Kelly Macdonald), taken for granted as a suburban mother, discovers a passion for solving jigsaw puzzles which unexpectedly draws her into a new world – where her life unfolds in ways she could never have imagined.
Despite Baker’s adept directional skills, and solid performances from the whole cast, Breath feels inconsequential, and the sombre visual and thematic tone feels like every other Australian social realist drama.
As well as getting a chance to check out witty theatrical drama The Great Pretender at Tribecca Film Festival, Film Inquiry’s Kristy Strouse also got to speak to director Nathan Silver about his film.
The documentary THE DEVIL AND FATHER AMORTH sees renowned horror director William Friedkin follow a Catholic priest who performs the ninth exorcism on an Italian woman.
Why haven’t we found any signs of life out there in the universe, when statistically, there should be? This is Fermi’s Paradox, and in this new Fantasy Science column, we cover some of the explanations offered for this paradox in movies and TV.
Director Claire Denis is choosing a more diverse range of film projects than any other time in her career – and it’s best exemplified by Let the Sunshine in, a romcom that subverts genre expectations on the hunt for true love.