Despite a chilling concept and a serviceable lead performance, The Faith Community still leaves a lot to be desired.
Paul Verhoeven is a distinguished director in the cinematic world of the past few decades; here is a rundown of his career.
Crooked House was one of Agatha Christie’s best novels- so it’s a treat to finally see this subversive work translated to the big screen.
They are the scoundrels, the miscreants, the agents of chaos, and you can’t keep your eyes off them: these are our favorite villains!
Being a big fan of horror, I’m always keeping track on the new films that…
The heart of Daddy’s Home 2 is lost by formulaic tendencies and its overbearing insistence on being funny. It’s no future Christmas classic.
The Florida Project offers a unique and essential glimpse into contemporary poverty in America, encompassing both its wonders and hardships.
In the latest of our Take Two series, we reexamine Batman & Robin, the sequel we watched so you don’t have to.
You Were Never Really Here is a rare film that is conclusive proof that a great director can elevate familiar source material.
In the final week at Adelaide Film Festival, Alex Lines recalls some of the films he saw, including documentaries & inspired foreign dramas.
In this sequel, Daddy’s Home 2, we join Brad and Dusty as they deal with their fathers around the holidays.
After spending three years in post-production purgatory, Friend Request arrives in US cinemas – and is certainly not worth the wait.
Although filled with flaws, this charming mini-sequel, Red Nose Day Actually is hard to criticise due to its good, charitable intentions.
Matt Keeslar is a lesser-known actor that nonetheless gave some fine performances across many different genres.
Australia Day is a Crash-style drama that contrasts 3 different minorities facing persecution and racism on the backdrop of Australia Day.
