animation
Lu Over the Wall combines a basic coming-of-age story with folkloric legend to concoct a tale of self-discovery that is incredibly messy, but also very beautiful.
Stephanie Archer reports on her time during Tribeca Film Festival 2018, and reviews the animated short films curated by Whoopi Goldberg.
An Oversimplification of Her Beauty is a solid stroke of inventive creativity and artistic integrity, all buttressed by a profound love and understanding of film.
This belated sequel to Gnomeo and Juliet poorly attempts to expand the cinematic universe – and merely exposes the poor storytelling within.
Kristy Strouse covers some of the short films she saw at the Tribeca short film programs, and two television pilots, Fabled and Driver Ed.
Mary and the Witch’s Flower feels truly timeless, an animated classic in waiting that will delight audiences both young and old. Hiromasa Yonebayashi has captured the very essence of Studio Ghibli for this first Studio Ponoc effort.
There are those that may find Sgt. Stubby a little too twee for their tastes and it may not appeal to those who are not won over by doggy antics, but for those that are susceptible to a four legged friend, you will find Stubby a real heart-warmer.
In this retrospective guide, we examine the work of recently deceased filmmaker Isao Takahata, one of the pioneers of Studio Ghibli.
Set in the gritty underbelly of southern China, Have a Nice Day (Hao ji le) is a dark comedic commentary on greed and materialism and only a small peak into what director Jian Liu has to offer.
Dorota Kobiela and Hugh Welchman, the directors of Academy Award nominated animation Loving Vincent, spoke to Film Inquiry’s Nathan Osborne about the seven year process to bring their unique biopic to the big screen.
For our latest Staff inquiry, we chose to look back at some of our childhood favorites, which range from musicals to anime to Disney fairy tales.
Sentimental and surprising, gorgeous and gory; watching them one after another it’s impossible not to be struck by the talent on show. Here’s a brief rundown of 2018’s Oscar nominated animated shorts.
For all the disease, danger and overt Trump-related reverberations, Wes Anderson’s ninth feature film and second stop-motion film, Isle of Dogs, is decidedly feel-good.
In This Corner of the World is a beautifully captured and quietly tragic animation, which succeeds due to how it captures the sadness underneath the mundanity of life in a war-torn country.
For a studio whose storytelling style and command of visuals is so wonderfully inventive, in Early Man they’ve opted for the laziest, most obvious narrative trajectory imaginable, without even a winning sense of humour to back that up.