drama
We have the Academy to thank for bringing this warmly humorous Swedish gem to our attention – it’s one of the year’s most likeable films.
In our latest entry of The Nominated Film You May Have Missed series, we discuss the 2005 political drama Good Night, and Good Luck.
It’s rare that a film will come along and synthesize the era we live in so succinctly as Miguel Arteta’s Beatriz At Dinner.
As given by its name, A Ghost Story is a supernatural tale, yet it touches on themes of love and grief in a uniquely beautiful way.
There’s a way, many ways, actually, to make a satisfying film about a lighthearted romp, but Paris Can Wait never finds any of these paths.
Frank Vs. God delivers a solid thought provoking film about a man who loses everything and fights against the term “act of good”.
Julie Dash’s 1991 debut still feels like an eye opening experience when viewed over 25 years later- you need to let it in to your life.
The excellent performances by Weisz and Claflin sadly don’t make up for the fact My Cousin Rachel is boring to the point of tedium.
Moka is a French slow burning drama that occasionally conjures some suspense, which makes it fascinating in its own way.
The Book of Henry is strange from its outset, and its lack of redeeming characters or strong emotional moments doesn’t much help matters.
Lars von Trier has become infamous for his unabashedly grim and provocative works, yet he is a distinctive and brilliant director as well.
Well told, The Journey is an examination of the political relationship between Martin McGuinness and DUP Retiree Reverand Ian Paisley.
Australian director Peter Weir is known for his outsider characters triumphing over adversity; here is a rundown of his most famous films.
While the filmmaking ambition of this low budget production can’t be faulted, What Waits In The Red feels overly familiar and somewhat cliched.
Megan Leavey’s delivers a good story, almost making up for its lack of focus and unwillingness to commit to its main storyline.