thriller
American Fable doesn’t quite strike all the right chords, lacking just one spark that might have turned this movie into a lasting cult classic.
With the release of the FX series Feud, there’s no better time to revisit Robert Aldrich’s histrionic horror, What Ever Happened To Baby Jane.
Life certainly nails its big moments, but it’s frustrating that what could have been a memorable classic handicapped itself with hapless characters.
Dig Two Graves is a visually stunning low budget Gothic thriller, which is effectively surreal and compelling.
Personal Shopper is the rare film that is unclassifiable in terms of genre, refusing to neatly fit in to the preconceptions of a horror film, as well as lacking a distinctive explanatory reading.
For a story we’ve seen over and over, Mean Dreams, Bill Paxton’s last film, is compelling, refusing to take the usual narrative routes.
Before I Fall is a young adult adaptation that manages to stand apart from the rest, presenting a lavishly told thriller about high schoolers.
Don’t Kill It is a throwback to 1980s horror, in addition to updating some of the rather outdated tropes found in those types of films.
I Don’t Feel at Home in This World Anymore is a dark comedy that explores timely subjects of loss of protection and fear, in an effective way.
The Salesman is the latest by renowned filmmaker Asghar Farhadi, succeeding as both a political thriller and a tightly-knit character drama.
With finely tuned performances, The Man With Four Legs is also a visual treat, working within a genre that is often difficult to define.
Road to the Well has redeeming qualities, including fine acting and cinematography, yet it falls short of greatness from its lacking story.
Don’t Hang Up is a tense and effective low-budget thriller, though it misses out on fully probing the dangers of online bullying.
James McAvoy shines in M. Night Shyamalan’s latest, in which he portrays an array of characters as a man who suffers from dissociative identity disorder.
Get the Girl is an action movie that is obsessed with the idea of an action movie, but not with actually being one.