United States
Documentary distributors Dogwoof continue their hot streak with this fascinating inside look at Ronald Reagan’s presidency.
47 Meters Down is a total shark sandwich of a film, that will leave every audience member wishing they were watching Jaws instead.
Julie Dash’s 1991 debut still feels like an eye opening experience when viewed over 25 years later- you need to let it in to your life.
The Book of Henry is strange from its outset, and its lack of redeeming characters or strong emotional moments doesn’t much help matters.
The Autopsy of Jane Doe has an absolute doozy of a premise, but it soon gives way to ticking off every horror cliche in the book.
Baby Driver is a joyous summer film, an indelible sugar rush that is further proof that Edgar Wright is the true saviour of popcorn cinema.
Rough Night starts weak- but with a decent amount of laughs and a deconstruction of gender tropes, it soon becomes a breath of fresh air.
The Seeker is a testament to Cloud Cult’s commitment to exploring new heights in the synergy between music and visual artistry.
Megan Leavey’s delivers a good story, almost making up for its lack of focus and unwillingness to commit to its main storyline.
It may not be one of the most technically efficient documentaries ever made, but Hearing is Believing is certainly one of the most heartfelt.
In Restless Creature, we follow nearly three decades of Wendy Whelan’s career as a ballerina with the New York City Ballet.
The Big Sick is not another run-of-the-mill rom-com: it’s got heart, humor, a touching story, and a refreshing take of immigrant life.
Handsome has occasional moments of promise, yet it is bogged down by its shoddy story, underused characters, and failed attempts at humor.
Band Aid is a fantastic directorial debut- an utterly charming romantic comedy and an irresistible musical rolled into one.
Elliott Lester had juicy, absorbing material to work with. Unfortunately, he turns Aftermath into an underwhelming and empty endeavor.