thriller
Happy Death Day is a fun slasher film that likens back to the slasher days of old, albeit with a Groundhog Day twist.
The Snowman, though with talent behind its production, ended up being an unfortunately jumbled and incoherent mess of a film.
Jackie Chan is in peak form in The Foreigner, and handily wins you over despite the film’s dated source material.
While not as memorable as other spy-thrillers, American Assassin is entertaining and solid enough with high intensity and relentless action.
Walking Out, by the Smith twins, is an unrelenting and beautifully shot story of a father and son surviving in the brutal Montana wilderness.
Mike Flanagan’s Gerald’s Game, though not quite as dark as its source material, still showcases his talent for immersive horror film-making.
At NYFF, the series calls Genre Stories contains a plethora of short films, from sci-fis to horror, and made from a diversity of backgrounds.
After spending three years in post-production purgatory, Friend Request arrives in US cinemas – and is certainly not worth the wait.
Blade Runner 2049 is a blockbuster with brains, heart and an abundance of style, that will certainly reward repeat viewings.
Brimstone had potential, but it is bogged down by its length and a desire to show an excessive amount of gratuitous violence against women.
You’ll find it hard to obey the rules of this film’s title when watching, as even the positive elements can’t stop Don’t Sleep being a slog.
The John Wick films pose challenging questions about the nature of violence and the type of men who are attracted to its endless cycle.
The Atoning is an unoriginal, predictable, and underwhelming independent horror film, nothing you haven’t seen before but done much better.
Easy Living is an interesting and insightful character study into a self-destructive woman, who is scared of showing her true self.
Wind River is a haunting and wonderfully acted murder mystery that casts light on the inequality within Native American communities.