United Kingdom
The Children Act is a stirring, well-intentioned piece of classy British cinema that will satisfy but ultimately sadden its intended audience.
Songwriter is a fun and lighthearted look at the process of behind pop music songwriting, with a little bit of a background on the man behind the guitar and mic.
Dusty & Me is a greyhound leap ahead of similar films that have come before but as dog tales go it can’t quite keep the company of classic animal epics – it’s not quite that memorable.
The Little Stranger is a demanding but absorbing thriller – it will not spoon feed you scares, and it’s all the better for it.
Blue Iguana is a fun throwback to 80’s action crime movies, aided by fantastic performances and a punchy script.
The Festival can’t get out of the shadow of The Inbetweeners, but it’s well worth a watch for all fans of the series.
Mad To Be Normal should have been a film vibrating with R.D. Laing’s unique energy, but ends up being unfortunately unengaging.
Former Velvet Underground singer Nico is the subject of a new warts-and-all biopic. We spoke with the movie’s director and star about the challenges of putting a notoriously difficult woman’s life on screen.
Katee Sackhoff’s ability to pull off an almost solo performance is 2036: Origin Unknown’s saving grace and, ultimately, is what makes it worth any of your time.
Film Inquiry’s Kristy Strouse got to talk to filmmaker Louisa Fielden about her very timely short film People You May Know.
In this first part of The History of British Cinema, we discuss the rise of the studio film in the 1940s and ’50s.
While the premise is nothing new, Calibre’s approach to it is rather refreshing – it’s a confident thriller that constructs tension effectively.
We were able to talk with Milda Baginskaite and Martha Binns, director and star respectively, of the short sci-fi drama 7 Planets, about the creative decisions for this film, and the experience of making it.
The Lighthouse is one of the best locked-room dramas that Britain has ever produced, and it works as an impressive showcase of the talents behind it.
Swimming with Men is a wasted opportunity for what could have been an effective character comedy in the same vein as The Full Monty.