Jay is joined by an exciting first-time guest, Film Inquiry regular, Alex Lines. The two…
We delve into the works of Carl Theodor Dreyer, the Danish director that is behind some of the greatest masterpieces in cinema, among them Vampyr, Gertrud and The Passion of Joan of Arc.
Aimed squarely at Christian audiences looking for inspirational family entertainment, Samson is a preachy and plodding drama that’s light on excitement, action or any real sense of spirituality.
Game Night is a visually memorable comedy, standing out by masterfully blending the absurdity of its comedy and the realistic problems of its central characters.
With the upcoming likelihood of an Oscar for Darkest Hour, we look back at Gary Oldman’s over three decade long memorable career.
In this report from the Berlinale in Berlin, Germany, Gus Edgar reviews Golden Bear winner Touch Me Not, Chinese film An Elephant Sitting Still, Soderbergh’s Unsane and more.
Predictable and boring, Leatherface fails to give viewers and fans of the franchise a gripping, riveting, startling movie on how a serial killer family is born.
Emotional and heartbreaking, shocking and impactful, theses short films are an exemplary showcase of Hollywood’s menagerie of talent. Here’s a brief rundown of 2018’s Oscar nominated live action shorts.
Looking Glass wastes its talented cast on poor writing filled with cliché after cliché, an odd and uninviting artistic vision from the ground up, and an overabundance of narratives and plot devices.
Han Solo is one of the most beloved Star Wars characters, so it makes sense Disney decided to explore his backstory in their second Star Wars story.
The Post will likely be overlooked at this year’s Oscars, but with its historical depiction of the fight for the press and democracy, as well as its similarities to present day, it is still worth watching.
Dorota Kobiela and Hugh Welchman, the directors of Academy Award nominated animation Loving Vincent, spoke to Film Inquiry’s Nathan Osborne about the seven year process to bring their unique biopic to the big screen.
With its shallowness of character and its failed continuity of plot, Queen of the Desert is a film made as if to remind us of why we call films ‘pictures’, since the only good thing about the film is its mise-en-scenes.
Oh Lucy! is an inventive and poignant story that’s remarkably relatable, touching on loneliness and the sometimes outrageous lengths one will go to to escape the world and discover one’s own happiness.
The hilarious-looking Izzy Gets The Fuck Across Town is the debut for writer/director Christian Papierniak and stars Mackenzie Davis, Haley Joel Osment, and Alia Shawkat.