horror
Life certainly nails its big moments, but it’s frustrating that what could have been a memorable classic handicapped itself with hapless characters.
Dig Two Graves is a visually stunning low budget Gothic thriller, which is effectively surreal and compelling.
Personal Shopper is the rare film that is unclassifiable in terms of genre, refusing to neatly fit in to the preconceptions of a horror film, as well as lacking a distinctive explanatory reading.
Today, we analyse Blair Witch, Adam Wingard’s influences and how he applied the horror concept of home invasion on a film set in a forest.
Don’t Kill It is a throwback to 1980s horror, in addition to updating some of the rather outdated tropes found in those types of films.
Instantly captivating and undeniably intriguing, Get Out may be the “diamond in the rough” film of the year.
Lou Simon is an independent director who mostly makes horror films; we had a chance to sit down with her to discuss her filmmaking process.
Based on the real-life case, Johnny Frank Garrett’s Last Word is unfortunately a waste of its material, with many overused horror tropes.
Though with a contrived ending, Goodnight Mommy is a mostly intriguing Austrian horror film that plays on inborn, relatable fears.
The Bye Bye Man is an attempt at an urban legend slasher film that falls short due to its lack of scares and uninteresting story-line.
Does the sixth instalment in the Resident Evil franchise break the mould by being the movie that fans have always wanted?
Introducing the new Film Inquiry YouTube video series Decipher, with Laura Birnbaum, where we will be using history, literature, art, and film to translate the hidden meanings within the films we love.
Alfred Hitchc*ck is famous not only for his masterful films, but for the sometimes harmful ways that he would treat his leading ladies.
It’s quite rare that horror films are given any type of awards attention, despite their prominence in the mainstream film scene. We discuss why.
Don’t Hang Up is a tense and effective low-budget thriller, though it misses out on fully probing the dangers of online bullying.